Tuesday, 6 December 2011

Aphrodite and Zeus Part 2: The Athena Effect

In the last post I looked at the relationship between Zeus and Aphrodite from the starting perspective of them being father and daughter. Aphrodite was often disobedient and took pleasure in humiliating Zeus and many other deities and mortals, but she also posed a much greater threat to Zeus. Aphrodite instigated the Battle of Troy[i], she may have been of an older generation than Zeus and she had control of his sexual desires. However Zeus had a weapon against her; he used Athena who represented everything he could want in a male heir to undermine the fundamental tenets of Aphrodite’s existence.

Rubens The Judgement of Paris c.1639

There was animosity between Athena and Aphrodite; at Troy they both supported different sides and Athena could be very scathing towards Aphrodite. After Diomedes wounded Aphrodite’s wrist and she ran to Dione, Athena and Hera taunted her for her efforts on the battlefield.
“But Athene and Hera, as they looked upon her, sought to anger Zeus, son of Cronos, with mocking words. And among them the goddess flashing-eyed Athene was first to speak: “Father Zeus, wilt thou anywise be wroth with me for the word that I shall say? Of a surety now Cypris [Aphrodite] has been urging some one of the women of Achaea to follow after the Trojans, whom now she so wondrously loveth; and while stroking such a one of the fair-robed women of Achaea, she hath scratched upon her golden brooch her delicate hand.”[ii]
The competition between them stems their similarities and thier differences. Both were famous for their beauty, hence why Paris had to choose between them. They both possessed a gleaming, golden quality to their beings. Homer records them both has having the attribute of glaukopis; darting or gleaming eyes. He also tells us of how Athena was one the few deities whom Aphrodite's powers had no effect on.[iii]  Both goddesses have key roles with mortals,[iv] Aphrodite makes them mate (with gods also). Athena comes across as a sister and friend to mortals and assists them with powerful gifts and wise council.[v] The animosity arises from a difference of purpose; Athena was celebrated for her mind and wisdom, Aphrodite for her beauty and sensuality. It was also due to Zeus’ relationship with both of them that their animosity grew.

Statutes of Athena and Zeus in Athens, Greece.
The Zeus portrayed by Homer is not an omnipotent ruler; he still faced challenges to his office. Whilst Strauss Clay says that despite the occasional disturbance Zeus’ reign can “no longer be shaken”.[vi] Jackson rebuts that the majority of the divine action in the Iliad is made up of such challenges to his authority. After all if Homer had wanted to show Zeus’s authority as unchallenged then why would the Iliad feature so many subversive elements? Jackson argues that due to this instability Zeus needed someone to help instil order; that someone was Athena. His obvious favouritism of Athena was aimed at subduing Aphrodite. This conflict between him and Aphrodite also highlights the greater conflict between the Zeus and the other gods.


Athena being born out of Zeus' head with Hermes in attendance.


Hesiod and Homer have different accounts of Aphrodite’s creation and whilst superficially the two Aphrodite’s appear very different they serve the same purpose relating to Zeus. The Aphrodite in Theogany similar to Athena in that they were both born of one male parent. This created a strong tie with each father; Athena with Zeus and Aphrodite with Ouranos. The place which the two deities sprung out of can also be linked to the characteristics surrounding the father’s reign and the daughter’s actions. Zeus gave birth to Athena out of his head, hence Athena was renowned for her wisdom and Zeus’ reign was “one of the mind”. Hesiod also describes Athena as having “courage and sound council equal to her father’s”[vii] Aphrodite was produced out of Ouranos’ genitals in a act of grotesque violence. In this respect Ouranos’ reign is one filled with “gross physicality”[viii] and Aphrodite is linked with sex and fertility. As Aphrodite was born out of the succession struggle between Ouranos and Kronos then she is linked with the succession process and therefore she poses a danger to Zeus’ reign.[ix]

Aphrodite’s link with sex and therefore childbirth is a regular source of threat to Zeus. In Hesiod’s family trees he describes the women during conception as literally “dominated in love by golden Aphrodite”. She is inextricably linked with the birth of those who would later challenge Zeus for example Typhon who Zeus would have to engage in single combat to display his right to his throne.[x] When Zeus fell in love with Thetis (due to Aphrodite’s power) then she was setting him up to have a child that would bring instability to his reign. Involved in the conception of dangerous offspring Aphrodite often brings menace to Zeus’s rule. However Zeus’ reign was partly secured by Aphrodite; his repeated infidelity and the children it produced earned him the title of “father of gods and men”[xi]. This infidelity created a network of kin bound to Zeus through love and familial ties.[xii] This network that entrenched his reign stemmed from Aphrodite’s powers over promiscuity; Aphrodite helped establish his reign and Zeus feared she could just as easily demolish it.

It is in relation to this threat that we must look at Athena again. The creation of Athena was Zeus’ master stroke in maintaining his reign. Both Ouranos and Kronos tried to maintain their reigns by imprisoning their children; Ouranos locked his children in Tartarus and Kronos ate his children, obviously both failing. The way Zeus managed to maintain his rule was by placing all the gifts that would so dangerous in a son (courage, wisdom, skilled hands) in a daughter: Athena.[xiii] She is all he could want in a trusted lieutenant but as a woman she could not assume the throne from him. And as a virgin goddess she could not continue the line of succession so she represented the end of the succession cycles. With the birth of Athena out of his head Zeus placeed the significance of thought (Athena) above the groin (Aphrodite). Still Aphrodite, with her children, and her link to the higher echelons of divine power posed a threat. Although it should be remembered that whilst Zeus may have feared her power; as a woman Aphrodite also could not have claimed the Olympian throne; it would have been one of her children. Thus Hesiod created Aphrodite to be the “other” in Zeus’s reign, always lurking and posing a subtle threat.

Athena and Ares in disagreement. 
Attic Black figure on Amphora, C510-500, 
Tampa Museum of Art
The Homeric Aphrodite is just as dangerous and Zeus curbed Aphrodite’s influence by placing Athena at the front of his affections. In the Iliad Athena is obviously Zeus’ favourite; in Books 5 and 8 she wears his armour and in book 5 Ares accuses Zeus of ignoring Athena’s unruly behaviour. It is interesting that Ares would slight his father in this way; was this the action of a god jealous of his father’s attention on Athena or a god defending his lover Aphrodite? But Ares wasn’t the only jealous deity around; Athena prized her place as Zeus’ darling. When she believed Zeus favoured Thetis she claimed that “the day shall come when he shall again call me his flashing-eyed darling”[xiv] Athena’s jealousy would also lead her to become far more active in the story of the Iliad. Up until the beginning of Book 4 Aphrodite was one of the most active participants in the story, she instigated the war, saved Paris and persuaded Helen to reprimand Paris’ cowardice. It only took a slight mention from Zeus of Aphrodite’s achievements and Athena and Hera’s relative laziness to make Athena take over a prime divine role in the fighting; hence why several mortals prayed to her believing she would be the deity most likely to act for them.[xv] Zeus was being defensive; Athena could be as powerful as she liked but she could never usurp Zeus, Aphrodite was much more powerful and therefore needed to be limited.

Pot detail of Athena in battle
By placing Aphrodite’s power in the hands of Athena and trying to replace Aphrodite’s inappropriate contact with humans with Athena’s more demure approach Zeus belittled Aphrodite’s power. By championing Athena’s powers of thought over Aphrodite’s powers over the groin Zeus is distancing himself from his father and grandfather and stopping the cycles of succession. By defending Aphrodite from Athena’s mocking, and then teasing Aphrodite when she is wounded, Zeus brings her into the family and places her under his control. It is through the relations with Athena, Zeus’ greatest weapon that he manages to keep Aphrodite a subtle threat, but still a threat to be wary of.


[i] During the Judgement of Paris Aphrodite promised Paris the most beautiful women as his prize for deeming her the fairest goddess. The women Aphrodite promised was Helen, hence how Aphrodite was key in the beginning of the fighting.
[iii] Homer, Hymn to Aphrodite (V and VI), The Homeric Hymns, trans Jules Cashford. London: Penguin (2003)
[iv] Friedrich, Paul. The Meaning of Aphrodite. Chicago: Chicago University Press (1978) pp. 85-6
[v] For example, Athena guides Perseus on how to defeat Medusa giving advice and the necessary weapons.
[vi] Strauss Clay, Jenny. The Politics of Olympus. Princeton (2006). pp. 12
[vii] Hesiod, Theogany, lines 896-7, trans M.L. West, Oxford: OUP (1999)
[viii] Jackson, Kassandra. Father-Daughter Dynamics in the Iliad: the Role of Aphrodite in Defining Zeus’ Regime. Brill’s Companion to Aphrodite. Eds. Smith, Amy C. and Pickup, Sadie. Brill (2010)
  pp 154
[ix] Cyrino, Monica S. Aphrodite. London: Routledge (2010) pp. 40
[x] Hesiod, Theogany, line 822
[xi] Ibid line 542
[xii]  CalhounG. M. "Zeus the Father in Homer," TAPhA 66 (1935) pp. 9-11
[xiii] Brown, Norman.  "The Birth of Athena" Transactions and Proceedings of the American Philological Association 83 (1952) pp. 132
[xv] Jackson, Father-Daughter Dynamics. pp. 159-60; Homer, Iliad, Book 10 line 460, Book 17 lines 561-567


Bibliography


Brown, Norman.  "The Birth of Athena" Transactions and Proceedings of the American Philological Association 83 (1952)
CalhounG. M. "Zeus the Father in Homer," TAPhA 66 (1935)
Cyrino, Monica S. Aphrodite. London: Routledge (2010)
Friedrich, Paul. The Meaning of Aphrodite. Chicago: Chicago University Press (1978)
Hesiod, Theogany, trans M.L. West, Oxford: OUP (1999)
Homer, Iliadhttp://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D5%3Acard%3D416
Homer, Hymn to Aphrodite (V and VI), The Homeric Hymns, trans Jules Cashford. London: Penguin (2003)
Jackson, Kassandra. Father-Daughter Dynamics in the Iliad: the Role of Aphrodite in Defining Zeus’ Regime. Brill’s Companion to Aphrodite. Eds. Smith, Amy C. and Pickup, Sadie. Brill (2010)
Strauss Clay, Jenny. The Politics of Olympus. Princeton (2006)


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